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Windsor police name suspect in ‘distraction style’ theft

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Surveillance camera images of the suspect in a theft case in the 3100 block of Dougall Road on Aug. 20, 2019. Windsor police have issued a warrant for the arrest of George Agapie, 50, of no fixed address.


Courtesy of Windsor Police Service / Windsor Star

Investigators believe they have identified the man who distracted an elderly Windsor woman with a ‘Good Samaritan’ ploy in order to steal her bank card.

On Wednesday, the Windsor police financial crimes unit named George Agapie, 50, of no fixed address, as the suspect in the ‘distraction style’ theft incident that happened on Aug. 20.

A warrant has been issued for the arrest of Agapie. He is now wanted on charges of credit card theft, possession of stolen property, use of a credit card obtained by crime, fraud (value under $5,000), and breach of recognizance.

Police believe Agapie has fled the area.

The crime took place in broad dayllight, around noon, in the 3100 block of Dougall Road.

The victim had just been to a business in the area and was seated in her vehicle when the suspect approached her.

The suspect told the woman that she had dropped some cash. He reached into her vehicle under the pretense of returning the cash. Police believe that is when he took the bank card.

It wasn’t until later that the elderly woman realized the card was missing and reported it to her financial institution. By then, a quantity of money had already been fraudulently withdrawn.

The suspect was identified via a surveillance video recording.

He is described as a white male with a large belly, with grey in his hair and stubble. At the time of the crime, he wore a grey duckbill cap, a grey Tommy Hilfiger T-shirt with an open denim shirt on top, and grey or dark blue pants.

Anyone with information about Agapie or his whereabouts is encouraged to call investigators at 519-255-6700 ext. 4330.

Anonymous tips can be made via Crime Stoppers at 519-258-8477 or www.catchcrooks.com

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Lindsay Lohan slams Cody Simpson for dumping her sister.

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Then she tagged her sister Ali and wrote… “Leave the riffraff behind sista!!!”

kimk

To make things even more awkward, Lindsay even called Cody out during the show’s finale, telling him he owed her furniture???

“I want my furniture back, because I bought your furniture for you house in Venice,” she said after his unmasking.

Cody clarified what she meant but it didn’t make it any less weird…

“Well basically I was living in this house in Venice, I had this kind of beach shack there near Venice Beach, and I had been living there for a couple of years and I was seeing her sister [Ali] for a short period at that time and she was staying there with me,” he explained to Punkee.

“I was sleeping on a mattress on the floor because that was the vibe of the house and I loved it… [Ali] was like ‘Lindsay is going to order you this stuff’ but it never ended up coming and we didn’t know where it went.”

What. The. Heck.

No one has yet asked him if he’s okay with being called ‘riffraff’, but we’re long overdue for Miley to get involved and WE CAN’T WAIT.





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Yamaha Dear Glenn Project AI System Gives Concert in Style of Legendary Pianist Glenn Gould at Ars Electronica Festival

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LINZ, Austria & HAMAMATSU, Japan–(BUSINESS WIRE)–Yamaha Corporation unveiled the world’s first*1 Artificial Intelligence (AI) piano system capable of playing any piece of music in the style of late legendary pianist Glenn Gould on September 7 at the Ars Electronica Festival, one of the world’s largest media arts festivals, held in Linz, Austria. The AI system also gave a concert performance at the festival, and Yamaha has now announced the release of video footage from the performance. The project has been recognized as one of several efforts celebrating 150 Years of Japanese-Austrian relations.

Check out the concert video at https://youtu.be/wmn0vKs_2dM

Please also check out the technology information at the project official website below.

https://www.yamaha.com/en/about/ai/dear_glenn/

The AI system consists of a player piano and the AI software, which instantly generates playing data that incorporates the unique touch, pacing, and other stylistic traits of Glenn Gould and then provides that data to the player piano. The system is distinguished by its world-first*1 application of deep learning technology*2 to play any piece of music in the style of Glenn Gould as long as sheet music data is available, and it does so almost impeccably via the use of AI technology, which has been rapidly evolving in recent years.

The system also includes Yamaha’s original AI Music Ensemble Technology that enables the system to analyze the performance of fellow human players near-instantly and play predictively while interacting with human musicians. More than simply an automated performance, the system reproduces the masterful touch of Glenn Gould to provide an inspiring and interactive experience of co-creation between an AI pianist and human musicians.

The concert was held at St. Florian Monastery on September 7, the third day of the Ars Electronica festival. In addition to a piano solo, the AI system performed a piano duet with Francesco Tristano and a wind trio with members of the Bruckner Orchestra Linz (violin and flute) for a performance “with contemporary artists that transcended space and time.”

After the performance, the audience members, who had filled the hall to capacity, erupted into applause. The concert was one of the top highlights of the event’s main program, “AI x Music Festival.”

Glenn Gould was also known for his devotion to recording with digital media and an interest in rethinking the relationship between performer and audience. The project name “Dear Glenn” is a tribute to the artist’s attitude, which helped reveal the possibilities of new technologies and was also the inspiration for the idea behind the project. Yamaha is confident that, through this project, it has taken steps toward presenting new possibilities in musical expression via co-creation and mutual inspiration between human musicians and modern AI technology.

Comments by Dear Glenn Project Participants and Members

To bring artificial intelligence into connection with music should not end as an objective in a competition or an exhibition of achievements of two different forms of intelligence, but should be the beginning of a discussion which searches for forms of application in order to improve us in our being human and to expand and improve our virtuoso actions. ‘Dear Glenn,’ in its many different and wonderful manifestations, has proved to be a congenial example in this context and has more than met Ars Electronica’s high-quality standards.

Martin Honzik, Senior Director, FESTIVAL/PRIX/EXPORT, Ars Electronica

It was a pleasure to work with you all on this great research project, which is such a fitting tribute to the spirit and legacy of Glenn Gould. I am suggesting that this project be taken into the musical mainstream, where I know it will command keen interest and generate a great deal of attention as well as spirited debate.

Brian M. Levine, Executive Director, Glenn Gould Foundation

The lines between music, people, machines, and algorithms are dissolving, and ‘we are all part of it.’ I want to express my deepest gratitude to Yamaha for trusting in me and allowing me to contribute to the first AI that will provide an interpretation of one of the most visionary musicians in the history of the piano: Glenn Gould. This project means everything to me.”

Francesco Tristano, Pianist/Composer

I would like to first offer my sincere thanks to everyone who believed in and supported this project. The evolution of information technology in the 20th century has provided us not only with a hardware revolution of the piano, but with a software revolution as well, including AI technology. We believe this AI will lead to an expansion of the boundaries of musical creativity from the standpoint of human sensitivity and this is a large part of what drives our research activities. By sharing some of our ongoing results with music enthusiasts at Ars Electronica, I feel we have taken another step toward realizing these new possibilities.

Koichi Morita, Senior General Manager of Research & Development Division, Yamaha Corporation

Glenn Gould

Born in Toronto, Canada in 1932, Glenn Gould was a legendary pianist who passed away in 1982 at the young age of 50. In 1964, Gould announced the end of his concert career and began to concentrate on recording, devoting himself to digital media releases. Gould was also known for his unconventional and unique performance habits, which included sitting on a low chair and leaning over the piano keyboard, as well as humming while playing, even during recordings.

Yamaha Corporation

Since its founding in 1887, the Yamaha Corporation (HQ: Hamamatsu, Japan) has developed its business activities focusing on musical instruments, audio products, Yamaha music schools, semiconductors, and other products and services related to sound and music. With its unique expertise and sensibilities, gained from our devotion to sound and music, Yamaha is committed to creating excitement and cultural inspiration together with people around the world.

https://www.yamaha.com/

*1: As of August 2019, Yamaha Corporation’s internal survey.

*2: Deep learning is a machine learning method, and is characterized by the multilayered use of mathematical models called neural networks to process information.



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