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Teaching Millennials the Truth About Abortion — Women of GraceWomen of Grace

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Commentary by Susan Brinkmann, OCDS

Polls have found that seven out of 10 young voters support restrictions on abortion, results that are giving pro-life women the perfect opportunity to use their feminine genius to open the eyes of young women to the truth about U.S. abortion law that is too often hidden behind “reproductive rights” misinformation.

The Christian Post is reported on the poll which was released last year by Students for Life of America’s Institute for Pro-Life Advancement. Conducted by the polling company, inc./Woman Trend, it found that only seven percent of millennials – people between the ages of 22 and 36 – support taxpayer funding for abortions and abortion without any legal restrictions.

On the other hand, 70 percent of those surveyed said they support limits on abortion with 42 percent saying they oppose abortion “broadly.”

Even though equal numbers identify as “pro-life” and “pro-choice,” being “pro-choice” doesn’t necessarily mean that they support abortion on demand through nine months of pregnancy. Pollsters found that many millennials (28%) support specific policies such as parental notification, limiting late-term abortion, and halting government funding of the practice.

The poll also found that 41 percent support overturning Roe v. Wade with 51 percent saying they opposed Roe after learning that it allows abortion through all nine months of pregnancy.

Millennials would also like to have the right to vote on abortion-related policy and want a voice in forming abortion policy.

Fifty-six percent oppose selling chemical abortion drugs on-line or dropping the requirement for a physical exam because of the risks to women.

By a three-to-one margin, (48% vs. 17%) millennials said they prefer that their tax monies go to Federally Qualified Health Centers rather than Planned Parenthood.

While this poll is definitely bad news for anyone who thinks millennials are an automatic vote for abortion on demand, folks on the pro-abortion side of the aisle can also learn some valuable lessons from these findings.

As Kristan Hawkins, president of Students for Life, explained to the Post, “ . . .[L]abels like pro-life, pro-choice, access, health, or women’s rights often camouflage the true realities of the policies that today crisscross the country,” Hawkins told the Post.

What we need to do is unveil the “nitty gritty details” of abortion law so that the younger generation can see just how radical some of these laws really are.

“Especially as we talk with Millennials, who are often outside the political structure of Washington, D.C., the anti-abortion movement must be clear on what we are advancing and its impact on mothers, the preborn and taxpayers,” said Hawkins.

Women play a key role in providing vital information about respect for life, particularly when it comes to mentoring younger women, too many of whom are falling into the “pink hat” movement due to the prevalence of misinformation on the subject of “reproductive rights.” There are a few simple things we can do to change that!

First, remember that we have been called to “watch carefully over the future of our race” and to do so by employing our feminine genius which has equipped us for just such an endeavor. We have the sensitivity to understand the hearts of others, the receptivity to be open to the gift of life no matter what form it takes, the generosity to make ourselves available to those who need us, and the maternal instinct that promotes unity and peace in the human family.

Second, we need the grace to learn how to apply this genius to the world around us. This is why our first line of defense must always be prayer – to God the Father asking for the grace to use the gifts of our feminine genius for His sake, to God the Son for the grace to endure whatever hardships this might entail, and God the Holy Spirit for the wisdom and love we need to convey the truth to those who might not be open to hearing it.

Third, we must do our homework! Stay abreast of the truth about abortion and “reproductive rights” law in the US by taking the time to visit pro-life websites and conservative news outlets such as this one. The vast majority of mainstream media is pro-abortion and often presents a distorted view of the pro-life position, often referencing it as “fanatical” or “anti-woman.” This makes alternative news outlets the only source of factual information on the pro-life position.

Always remember that many of those who are promoting the culture of death also do their homework even though they don’t have any more time than we do. But passion to promote their cause fuels them to do whatever it takes to win over the minds and hearts of others.

However, we are not fueled by human passions which are swayed by every turn of the wind. Our fuel is the grace of God which gives us a supernatural strength to not only engage in the fight, but to do so with wisdom and grace.

© All Rights Reserved, Living His Life Abundantly®/Women of Grace® http://www.womenofgrace.com

Want to learn more about your genius? Sign up for the Women of Grace® Foundational Study program and learn all about it!

 

 



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Sycamore Partners buys 55% stake in Victoria’s Secret

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Sycamore Partners recently acquired a 55 per cent stake in Victoria’s Secret for nearly $525 million while the latter’s parent firm L Brands retains the rest. L Brands will position Bath & Body Works as a profitable, standalone public firm and separate Victoria’s Secret into a private entity focused on returning its businesses to earlier levels of profitability.

L Brands owns Victoria’s Secret, PINK and Bath & Body Works and operates 2,920 company-owned specialty stores in the United States, Canada, the United Kingdom and Greater China. Victoria’s Secret’s business include Victoria’s Secret Lingerie, Victoria’s Secret Beauty and PINK. Sycamore Partners is a New York-based private equity firm specialising in consumer and retail investments.

The transaction was approved by a unanimous vote of the L Brands board of directors. Under the terms of the transaction, Victoria’s Secret, with a total enterprise value of $1.1 billion, will be separated from L Brands into a privately-held company majority-owned by Sycamore, according to a press release from L Brands.

The company intends to use the proceeds from the transaction, along with approximately $500 million in excess balance sheet cash, to reduce debt.

Upon the closing of the transaction, Leslie Wexner, chairman and chief executive officer (CEO) of L Brands, will step down. He will remain a member of the board as chairman emeritus. Nick Coe, CEO of Bath & Body Works, has been named vice chairman of Bath & Body Works Brand Strategy and New Ventures. Andrew Meslow, chief operations officer of Bath & Body Works, has been promoted to CEO position. At the close of the transaction, Meslow will become CEO of L Brands and will join its board.

Meslow, who joined L Brands in 2003, has 29 years of experience in the retail industry, the last 15 at Bath & Body Works.

Fibre2Fashion News Desk (DS)





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Let Them Wear Cake. Also Fringe!

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MILAN — The day after a billionaire became a punching bag on a debate stage in Nevada, and questions of money and privilege and elitism once again were in focus, at the end of a runway in Milan Jeremy Scott constructed an actual stage for his Moschino show and raised the same issues on it.

He did it with a catwalk paved in antiqued mirrors beneath crystal chandeliers. He did it with Versailles-era corsets and swaying pannier-miniskirts; in denim and gold brocade; leather and pearls; gray hoodies and satin bows. He did it with toile de Jouy knickerbockers and matching cutaways in macaron shades; in patchworks of elaborate velvet brocades and bubbles and tiers and trains of floral taffeta.

He did it with showstopper dresses built to resemble petits fours, the frosting iced-on in curls and rosettes of latex below towering court of the sun king-style wigs.

Ridiculous? Sure. A cartoon? Absolutely: Hidden among the toile de Jouy patterns and tapestry embroideries, Japanese anime faces peeked out. There to be worn? Not the pastry dresses anyway (the brocade jean jackets and shepherdess pedal pushers maybe). They were there to make a point.

Before the excesses of the 1980s, after all (the ones that have been referenced on so many other runways), there were the excesses of the 1780s.

It’s a complicated proposition using a runway show of expensive party clothes as a treatise on wealth disparity and the obliviousness of the ruling class. After all, the people who buy them are exactly the people being taken to task. As the show notes read, “the confectionery cocktail dresses stand as a sly comment on the denseness of certain people in power.” Mr. Scott elides the issue by turning it into a joke. The question is: at whose expense?

The Paradox of Lace

For a long time, Miuccia Prada was considered the political consciousness of Milanese fashion, the designer who most used her work to wrestle with the world around her. She still does, but now she has company. Whereas Mr. Scott uses fashion as a form of stand-up, however, made for the Instagram age, Mrs. Prada uses it as a way of thinking out loud.

And this time she was thinking about many of the same variables as Mr. Scott — the clichéd tropes of femininity — though her focus was not so much economic inequality and its historical pop culture poster girl as it was gender parity and its imagery.

In the world of Elizabeth Warren and Ursula von der Leyen and Margrethe Vestager, the assumption that a woman who comes out fighting has to hide in a man’s suit has shattered. But what happens next? Can you be a powerful woman without giving up the symbols associated with the concept of the weaker sex (see, for example, the wardrobe of that famous pastry-loving young queen)?

Turned out this was one of the questions of the week. It’ll probably be one of the questions of the decade. Mrs. Prada just articulated it more clearly than most.

Still, it was there in Christelle Kocher’s one-season-only guest designer stint for Emilio Pucci, in which the Paris-based Koché designer known for her streetwear chic kicked the prince of prints off his pedestal, mixing the famous Pucci swirls with lace and torn stockings, sweats and boxer shorts. Think Madonna in “Desperately Seeking Susan” transplanted to Capri, and you’ll get the idea.

And it was there in Silvia Fendi’s somewhat heavy-handed boudoir-to-boardroom show at Fendi, with its uneasy juxtapositions of shell pink and dark gray; thickening leather and frothing lace; puffed sleeves yanked off the shoulder and dropped down, so they looked both girlie and aggressively oversize at the same time. It’s “subversive for a strong woman to dress like a femme fatale,” Ms. Fendi said before the show (she herself was wearing a buffalo plaid shirt and gray pants). That is true. But it is still using the old gender stereotypes, when the goal should be to break them down entirely.

An Aside

Speaking of which: At Tod’s, the new designer Walter Chiapponi was also trying to break out of a stale mold — the “Italian lifestyle” leatherfest that the brand has been locked in for awhile now. And though he managed to let the stuffing out in slouchy wide wale corduroys that hung off the hips and puddled on the floor paired with cropped knits and tweedy blazers, in tailored 1970s greatcoats and patched upcycled leather, there was still too much residue of the old bourgeois loafer set to really signal a new dawn.

Still, it’s going in the right direction, especially the big quilted feed bags with the logo reduced to a tiny T on the side. Hopefully, next time they’ll let him use a bigger mallet to smash through the formula.

Then Prada Shrugged

Or at least reduce it to its constituent parts so it can be rebuilt in new form. See Ms. Prada’s 1940s silhouettes — strong shoulders, belted jackets, mid-calf skirts — hung with Viennese Secession-era jet bead fringe (fringe is turning into a trend this season); the masculine fabrics (tweed, wool, flannel) undercut by skirts sliced into carwash strips to liberate the legs; the shirts and ties atop sheer skirts; the dream weaver lotus flower prints on strict silk pajama suits.

Her show took place at the Fondazione Prada in a sunken plaza set with a statue of Atlas at the center: the Greek god whose fate it was to hold the world on his shoulders. The implication being that now it is women who have assumed the burden — which means it’s time to renegotiate what that power looks like, whether in our own closets or the world.

In the meantime, want some cake?



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